Notes From The Record Room: Election Day Keyboard Runoff…
Pardon my momentary break from music writing to type out some Election Day thoughts.
Notes From The Record Room: Aerial M, Wand, The Armed, The Necks, Divide And Dissolve
A review of Aerial M's The Peel Sessions for No Ripcord, along with some singles from Wand, The Armed, The Necks, and Divide And Dissolve.
Notes From The Record Room (kind of an August recap) — The Messthetics & James Brandon Lewis (Live Review), Aquarius Records Documentary, Can
Managed to score a moment or two to capture some August happenings, which include an evening performance by The Messthetics and James Brandon Lewis, some thoughts on the It Came From AQUARIUS RECORDS documentary, and a podcast series on Can by No Dogs In Space.
Notes From The Record Room: Halfway To The Finish Line (or, How’s 2024 Looking?)
We’re halfway through 2024. As I continue to enjoy what’s turning out to be a good year for music, here’s my current assortment of favorite albums for the year.
Notes From The Record Room: Melt-Banana (Live), Butthole Surfers, Osees, Fucked Up, SSD
Playing witness and listener, some thoughts on a recent live event and other music-related goings on which include a teaser for a Butthole Surfers documentary, new singles, and an upcoming SSD reissue.
The Jesus Lizard: “Hide And Seek”
“Hide And Seek” is the first single from a new album by The Jesus Lizard.
Notes From The Record Room: Ipecac Celebrates 25 Years of Making People Sick
Ipecac Recordings, the indie label founded and run by Greg Werckman and Mike Patton, blew out 25 candles on April 1st. Fantômas reissues are slated for 5/17.
Notes From The Record Room: Black Flag’s My War at 40
Black Flag’s polarizing second LP, My War, was released on March of 1984, celebrating 40 years. For better or for worse, some thoughts were typed out.
Notes From The Record Room: 1/16 — Tuesday morning at 10:06AM (or, check out Eva Novoa, Erika Angell, Sensor Ghost)
Tuesday morning in the record room with sounds provided by Eva Novoa, Erika Angell, and Sensor Ghost.
Notes From The Record Room: As In Utero Spins…
On September 21st, Nirvana’s final studio album, In Utero, celebrated its 30th anniversary. Some personal feelings were typed out a day later.